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Stacaravan Rimini: Villaggio delle Rose. In the museums of Bologna and other cities of the region numerous furnishings of graves villanovianes are preserved, characteristic stele figured and other monuments etruschi. To Ferrara the Museum of Spina is known for the bronzes harvests etruschi and of figured ceramics imported in the sec. V TO. C. from Greece. Near Marzabotto they are the rests of a city etrusca from the regular plant, perhaps the ancient Misa. Roman civilization has left numerous testimonies, above all from the sec. The to. C. to the II d. C., in all the most important centers of the region. The city that preserves the more notable Roman monuments is Rimini (arc of August, bridge of Tiberio, amphitheater). Important also the archaeological zone of Velleia (Piacenza), with the hole parvis and other buildings, as well as statues and registrations today to the Museum in Parma; the Roman villa of Russian (Ravenna) of age augustea; the rests of the I bring and of the necropolis of Class near Ravenna. From different necropolises they originate great and beautiful stele lapidee with series of portraits; notable the rich funeral mausoleums of the necropolis of Sarsina. Art With the transfer of the capital of the empire of west from Milan to Ravenna (404), it began in this city an exceptional artistic flowering. To the first halves the century they go up again the baptistery of the Orthodox ones and the mausoleum of Gall Placidia, both internally dressed again of mosaics. After a period of relative stasis corresponding to the Goths' domination (mausoleum of Teodorico, more ancient mosaics of S. Apollinare Nuovo) and with the conquest of the city from Bisanzio (540), S. rose Vitale and S. Apollinare in Class and the decoration musiva of S. renewed him Apollinare Nuovo. The Byzantine art in Ravenna (said also "esarcale") kept on influencing the architecture along the coasts of the northern Adriatic, up to the thresholds of the Romanesque one (the famous abbey of Pompous; the native S. Mark of Venice; Torcello, Caorle, etc.). In the Romanesque period the architecture emiliana introduces well diversified characters in comparison to the other schools of the area padana. From the prototype of the cathedral in Modena (of the architect Lanfranco, initiated in 1099) they derive among the other the cathedrals of Ferrara (1135) and Cremona (1107), the abbatial church of Nonantola (1121); instead in the cathedrals in Parma and Piacenza elements emiliani and lombardi are melted. In the field of the sculpture the school emiliana is the most important of the Romanesque period in Italy. In the yard in Modena Wiligelmo operated, besides a group of anonymous (Teacher of the Metopes, Teacher of the Truth and the Fraud, Teacher of King Artù) artists that you/they directly hear again some influence borgognona. In the second quarter of the century, Teacher Niccolò continued the tradition of Wiligelmo. Subsequently they became evident the influences of the Provenzal classicism with the Teachers Campionesi (wharf in Modena, ca. 1160-75) and above all with Benedict Antelami. The Antelami, that was also the architect of the baptistery, drew near a lot to the Gothic style for influence of the French art of the Île-de-France.
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